Stars and strife movie movie#
More specifically, John Sayles hasn’t made a movie in almost a decade, since 2013’s underseen-and, even by the indie stalwart’s thrifty standards, seriously microbudget-drama Go for Sisters. (Sam doesn’t smile when he looks at it.) And while there’s nothing necessarily mold-breaking about Lone Star’s basic setup or style-certainly not when compared to other entries in the modern neo-noir cycle, bookended in the ’80s and ’90s by the Coens’ Blood Simple and Fargo-its qualities of thoughtful, hard-edged sociological storytelling and analysis are currently in short supply. Over and over throughout the movie, Sam listens patiently while old-timers tell him that they “broke the mold” when they made his dad-the man has been immortalized in a bronze statue outside city hall.
Twenty-five years later, Lone Star is as much of a relic as the bleached remains that figure into its stark, mysterious cold open: a fluid, literate, and politically complex (as opposed to programmatic) independent American movie that respects its audience’s intelligence and fulfills an appetite for moral, intellectual, and ideological ambiguity. The film got the acclaim it deserved, including an Academy Award nomination for its original script, but didn’t claw its way into the canon like its Oscar-night rival Fargo, a movie with more of a flair for the absurd that could nevertheless be its bizarro twin. It was a tricky, noir-tinged Western steeped in swift, glancing allusions to cultural, military, and filmic history. In 1996, Lone Star felt like a self-conscious throwback by a filmmaker who’d made a career of hopping between genres. As the film opens, the character is contemplating abandoning his post, but after some old bones are unexpectedly exhumed in the desert, Sam finds himself growing naturally into the role he’d rejected-and learning more than he’d like to know about the good, bad, and ugly particulars of his hometown.
Sam’s campaign slogan-“One Good Deeds Deserves Another”-leaned heavily on the idea of family branding, but there’s no shade for a prodigal son in his daddy’s shadow, and no future either. After initially departing the parched Texan border town of Rio County for the greener pastures of San Antonio, Sam Deeds (Chris Cooper) returned to run for sheriff on the strength of his DNA back in the 1960s, his father Buddy (Matthew McConaughey) was a local hero, flashing an untarnished golden badge and an easy, matinee-idol smile as emblems of state and moral authority. Lone Star centers on a hero navigating that hypothetical divide like a high-wire act-a cop on a thin-blue tightrope. “It’s not like there’s a line between the good people and the bad people.” Want to know what the movie's about? Here's the plot: "Examines how an epidemic of hatred has left America helpless in the face of crisis-and how a return to empathy can save us." 'Stars and Strife' is currently available to rent, purchase, or stream via subscription on Apple iTunes, Google Play Movies, Amazon Video, Hoopla, Vudu, and YouTube. Released August 4th, 2020, 'Stars and Strife' stars David Smick, Barry Levinson, Alan Greenspan, Alice Rivlin The movie has a runtime of about 1 hr 37 min, and received a user score of (out of 100) on TMDb, which assembled reviews from top users. Now, before we get into the fundamentals of how you can watch 'Stars and Strife' right now, here are some specifics about the documentary flick. Below, you'll find a number of top-tier streaming and cable services - including rental, purchase, and subscription alternatives - along with the availability of 'Stars and Strife' on each platform when they are available.
Stars and strife movie tv#
Looking to watch ' Stars and Strife' on your TV or mobile device at home? Hunting down a streaming service to buy, rent, download, or watch the David Smick-directed movie via subscription can be a huge pain, so we here at Moviefone want to do right by you.
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